The Pressure of No Writing
This past month has been a whirlwind. If I’m being honest with myself, the word count column is looking a bit sparse. Actually, it’s looking non-existent.
I’ve spent the last four weeks firmly rooted in the land of the old day job in FinTech, dealing with the relentless march towards the Christmas break, and juggling all the necessary family commitments that come with December. When I finally collapsed into my armchair in the evenings, the last thing my brain could do was focus on anything that required me to think too hard.
And the guilt, let me tell you, has been knocking pretty loudly.
The Problem with Zero Word Counts
As writers, we often tie our sense of productivity and self-worth to that daily or weekly word count target. When that number hits zero, it’s easy to feel like we’ve failed, like we’ve somehow let our ambition (and our characters) down.
But sitting here now, looking back, I know I need to shift my perspective. Yes, I didn't write. But did I stop being a writer? Did I stop absorbing the world and learning about the craft? Absolutely not.
The Power of Passive Practice
Instead of writing, I did an awful lot of reading. Specifically, I’ve been devouring a ton of short science fiction and managed to get through one fantastic novella thriller.
And reading, as many writers will say, is simply passive practice. It's the writer's equivalent of a runner resting but still going over race strategy, or a musician listening intently to a symphony. It’s necessary input, a foundational activity that feeds the creative engine.
In the last month alone, here's what those shorter formats have been teaching me:
- Pacing in the Small: The short sci-fi stories have been a masterclass in efficiency. They can teach how to establish an entire world and a high-concept idea in just a few paragraphs, forcing writers to think about where we can trim the fat in own own expositions.
- The Novella's Sweet Spot: That novella I read was a great example of focusing on one core theme and executing it brilliantly. Novellas done well can show how to deliver the depth of a novel without the sprawl, and they require incredible narrative discipline.
- Emotional Weight & World-building: I've been absorbing how these authors use sharp, concise prose to handle vast ideas—and in some cases how to spectacularly fail. The good bits can show how silence, implication, and perfectly chosen technical details can be far more powerful than pages of description.
I’ve been absorbing sentence structures, understanding narrative arcs, and seeing how other storytellers handle exposition versus action, all through the lens of one of my favourite genres. This isn't wasted time; it’s research. It’s vital, subconscious learning.
Releasing the Guilt
So, as writer's we need to tell ourselves that it is alright to formally set the guilt aside.
The day job pays the bills, and being present for family during a busy time is a priority that we all shouldn't have to apologise for.
And the reading? That was me filling the well.
Next month, the goal will be to slowly shift from passive practice back to active creation. I’m not going to beat myself up for the lull; I’m going to be grateful for the time I had to rest my writing muscles while simultaneously strengthening my critical eye.
The stories are still there, waiting. And now, I'm hopefully better informed.








